January 26, 2013 / 11:19PM 2,538 notes

redvelvetteacake:

 I love you, and you don’t pay me. 

(Source: jewahl)

river phoenixmy own private idahogus van sant

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October 12, 2012 / 2:09PM 9 notes

joshuamcquilkin:

Harris Savides (1957 - 2012)
Sad news today. Acclaimed cinematographer, Harris Savides, as passed away at the age of 55. Although many of you may not know his name, there is a very good chance you’ve seen his work. Savides attended and graduated from The School of Visual Arts in New York City. Like many others, Savides started his career in music videos and commercial work before eventually making his way to the silver screen.
Although he was never nominated for an Oscar (tragic, I know) he was very well respected in the industry. Over the course of his career he has shot films for many great directors such as Gus Van Sant, Ridley Scott, David Fincher, Woody Allen and Sophia Coppola. His credits include “Zodiac”, “American Gangster”, “Somewhere”, and “Milk”. He even shot Martin Scorsese’s tribute to Hitchcock, “The Key to Reserva”. 
This soft spoken, unsung hero of cinema will be missed dearly. Rest in Peace, Mr. Savides.
Joshua McQuilkin
“I light a room and let the people inhabit it, as opposed to lighting the people. It’s more organic. You want to protect the people you’re working with, and there’s a constant battle between the best light for their face and the best light for the story. You don’t want to get to the point where the audience notices the light.” - Harris Savides

facebook.com/jeunefillefilm
See the trailer for “Jeune Fille”.

joshuamcquilkin:

Harris Savides (1957 - 2012)

Sad news today. Acclaimed cinematographer, Harris Savides, as passed away at the age of 55. Although many of you may not know his name, there is a very good chance you’ve seen his work. Savides attended and graduated from The School of Visual Arts in New York City. Like many others, Savides started his career in music videos and commercial work before eventually making his way to the silver screen.

Although he was never nominated for an Oscar (tragic, I know) he was very well respected in the industry. Over the course of his career he has shot films for many great directors such as Gus Van Sant, Ridley Scott, David Fincher, Woody Allen and Sophia Coppola. His credits include “Zodiac”, “American Gangster”, “Somewhere”, and “Milk”. He even shot Martin Scorsese’s tribute to Hitchcock, “The Key to Reserva”. 

This soft spoken, unsung hero of cinema will be missed dearly. Rest in Peace, Mr. Savides.

Joshua McQuilkin

I light a room and let the people inhabit it, as opposed to lighting the people. It’s more organic. You want to protect the people you’re working with, and there’s a constant battle between the best light for their face and the best light for the story. You don’t want to get to the point where the audience notices the light.” - Harris Savides


facebook.com/jeunefillefilm

See the trailer for “Jeune Fille”.

cinematographyHarris SavidesFilmZodiacGus Van SantDavid FincherSophia CoppolaMilkcinematographerRIPMoviesQuoteWoody Allen

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April 21, 2011 / 1:08AM 3 notes

just saw The Taqwacores!!!!!

THIS WAS WHY I GOT NETFLIX. SO GOOD ON SO MANY FUCKING LEVELS. 

If you like (first 3 are from the trailer suggestion): Trainspotting, Fight Club, Gus Van Sant *check, I’d add SLC Punk! to the list. 

The Taqwacores is going to be hard to describe to people who haven’t seen the trailer or not read the book. It has a lot of levels, so it’s complicated. And hard to tell what not to tell you. 

A West-Coast Punk. Straight-Edger. Skinhead. Riot Grrl. Queer Punk. A Reverted Muslim. A College Kid. All in one house. Friday morning prayers, Friday afternoon/night party.

Ok, you know the Punk Rock movement— the freaks, weirdos, the ugly ones who all ban together for a cause. They destruct, offend, etc. Rebel. 

Well, add Muslim into this house. 

You have this “normal” smart boy who comes into this house, purely because it is a Muslim house— keep on his beliefs, be a good kid with the influences of Islam around him. Well— when he gets to this house, things change for him.

I read the book beforehand, a few things were changed/edited out. The author wrote the screenplay so I knew it’d be very accurate, which it was. :)

What the film brings up is Muslim stereotypes, which aren’t always accurate and from their perspective.. just more punk, sub-genre perspective. But damn, good points are made THAT MAKE YOU THINK.

It also has many different views on religion. In general, it works for Christianity also— how far you take the rules stated in the holy book of each. Some think drinking and smoking is fine, sex before marriage, etc. The main man in this film, a punk rocker from out West, wanted to bring together everyone. The queers, riot grrls, straightedgers, all playing Taqwacore for the same cause. Fuck the interpretations. 

I’m personally interested in all sorts of religion. They all have something beautiful in each of them.

This film is basically the story of Yusef’s story while living at this house for a year, with these characters and the interactions, conflicts and conversations (some really deep and smart, philosophical) and how they change Yusef. Jehangir is the West Coast idealist punk, who puts on a major punk rock show to prove all these points, where crazy shit happens. It literally read like the book— it was wonderful.

I’m going to give a few examples of the conversations: talking about Johnny Cash, about the Riot Grrl wearing a full burka (do you ever feel like you don’t want the world to see you?), interpretations of the Quaran, etc. It brings up good points. They even have a reverted Catholic-bred girl who converted to Islam and her perspectives, I’m not saying they fit for everyone, but it doesn’t forget that idea also.

I can’t describe this accurately, it’s an experience. I know/knew I will be watching this a few times before sending it back. :D :D 

Ok— to the technical film stuff. It’s an indie film, so some things are more forgivable in my opinion, and I think it worked for it. The shooting was wonderful, editing worked magnificently and they made it more punk rock by changing a few things from the book so it could read as a film.. loved it. There was a few points in the acting that they could have been more enthusiastic, but hey they were trying to evoke casual conversation… it was fine. Minor shit. Music was great. 

It’s a controversial film in the best way— it fucking makes you think. It’s social commentary, for all sorts of people. Does it make it real? Hell no! But it’s great to watch and learn from, gain insights. 

I just suggest you see this, I sped read the book thinking I was getting the film instead. It took a few days, the characters are wonderful and challenge thoughts, stereotypes, prejudices, even discriminations. 

The West-Coast Punk, Jehangir, was sooo hooot. Then I saw his headshot and didn’t recognize him. Weird. He looks like a friend of mine, if he had a pink mohawk, which I might recommend- he’s done crazy shit with his hair. 

If you like Fight Club, Trainspotting, Gus Van Sant films, SLC Punk!, and world religion point of views… GO FUCKING SEE THIS!!!!!

Also— it had a spot on SXSW film festival and also Sundance. 

My writing on it doesn’t do it justice, trust me. I’ll put up the trailer again, it’s just THAT GOOD. And there isn’t much promo and stills on it. 

(Source: moviesmusicart)

The Taqwacoresfilmpunk rockmuslimriot grrlstraightedgemichael muhammed knightbookso greatfight clubgus van santtrainspottingslc punk!punk rock movement

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